Dance

Our choreographer wins praise for her latest work.

16 Mar
by Into the Shimmer Heat, posted in Culture Australia, Dance, News, Theatre   |  No Comments

Danielle Micich’s new work for Buzz Dance Theatre attracted a great review. Thrill, a double bill, was praised in the West Australian for being a potent, accessible and sophisticated mix of artistry and athleticism. Danielle’s work, Plan B, is praised for many artistic reasons, and also because the incredible energy of the cast ensures they are exhilarating to watch. Read the review, see the show.

Phil Thomson – director and libbrettist for the opera writes

In a previous post, Danielle and I announced dance audtions for into the Shimmer Heat.

We are auditioning some very promising young dancers this week. The response to our So You Think You Can Dance in an Opera call-out has netted some very interesting, trained and talented dancers. Nina is the major role of the opera, with both narrative and impressionistic/emotional/cathartic dance. We need a creative athlete with great stamina, discipline and strength and able to plumb emotional depths. Courageous. Not scared of heights. Able to act. And transport us as only dancers do. This is a big ask, but I have a feeling that all the dancers we’ve shortlisted could do a great job. We have such talent in the west, from the west.

I am so looking forward to the audition. I’ll let you know how we go.

Danielle Micich

Danielle Micich

Can life have a Plan B?

14 Mar
by Into the Shimmer Heat, posted in Culture Australia, Dance, Theatre   |  No Comments

The choreographer for into the Shimmer Heat is Danielle Micich, an independent dancer, choreographer and videographer based in Perth. She was the Artistic Director of West Australia’s Youth Dance Company STEPS for four years.  Danielle has travelled to the USA and Singapore where she performed with international multi-art group SQUINT. She worked on large-scale projects as co-producer on Artrage‘s dance festival Crossfire & travelled to New Delhi, India to produce choreography for a large-scale dance drama with Dhwani Dance Company. In 2006 Danielle won the Ausdance Award for Dance Film Technology for The Drover’s Wives (PIAF). Earlier this year she set the first ever dance choreography for the Curriculum Council.

Her latest work is ‘Plan B’, now playing at the Dolphin Theatre at the University of Western Australia as part of Buzz Dance Theatre’s double-bill entitled ‘Thrill’.

This is a fantastic piece which combines ambitious and technically challenging dance with clever handling of simple props and set, stunning lighting effects and a brilliant musical score. The theatricality of the piece was outstanding and followed the optimistically begun adulthood of a young man through hope, despair and breakdown into a new maturity. The audience watched in stunned admiration, unable to take their eyes off the stage as elements of humour and powerful physicality mixed with tender and almost naturalistic movement building to an intense climax.

Danielle Micich

Danielle Micich

There is no doubt that Danielle can handle producing the choreography for into the Shimmer Heat at the Heath Ledger Theatre> this October. If you get the chance to see Plan B, you can decide for yourself whether there is one in life or not.

So You Think You Can Dance… in an Opera!!

03 Mar
by Into the Shimmer Heat, posted in Culture Australia, Dance   |  No Comments

design image with dancerProfessional Dance Audition Opportunity

into the Shimmer Heat is a new West Australian opera to be staged by Nova Ensemble in the new Heath Ledger Theatre in October this year.  The lead character is mute, and will be played by a young contemporary dancer.  Her character, Nina, is a teenager struck dumb by her father’s untimely death in the desert.  Emotionally damaged she seeks solace in goth-rock music. Her mother seeks to cure her by taking her, by hot air balloon, into the desert where her dad disappeared. There she undergoes more trials and tragedy before triumphing over adversity.  She communicates through dance.

The cast consists of 5 opera singers (including internationally regarded divas Sara Macliver and Fiona Campbell), two puppeteers and a dancer. This is a fully professional production.  It will be directed by Phil Thomson, and choreographed by Danielle Micich.  Music by David Pye and Lee Buddle.  It’s supported by the State Government’s Major Production Fund.

We are seeking a dancer for this fully professional role with the following attributes…
·          Training and/or professional experience in contemporary dance

·          Confidence in working with task based methods and improvising.

·          Able to play a 16 year old girl (ie under 24 years of age)

·          Able to deal with heights (the dancer will be flying high)

·          An understanding/experience of acting process

·          Some singing ability (Nina sings two lines)

·          Availability for full time rehearsals in September and performances in the first half of October.  There will also be workshop sessions during April/May that can fit the dancer’s availability.

Primarily we are seeking a wonderful young dancer with the desire to work hard and take full advantage of this extraordinary opportunity. She will receive theatre and singing coaching during the development process.

Dancers interested in this role are asked to submit an expression of interest in the role by emailing director Phil Thomson by Monday March 7 2010 with a biog or c.v. that outlines their dance experience and addresses the criteria listed above.  We will invite dancers to audition from those who have applied.

Auditions for the dance role will be held on Sunday March 20 at King Street Arts Centre.

5 Must-See Shows in Perth in 2011

03 Jan
by Into the Shimmer Heat, posted in Culture Australia, Dance, Opera, Puppetry, Theatre   |  No Comments

If you’re into locally created original theatre and live performance, and you live in or visit Perth, Western Australia, here are my top 5 must see shows this year…

FEBRUARY: Waltzing the WilarraThu 3 Feb – Sun 6 Mar 2011
Yirra Yaakin Theatre Company (Australia)
By David Milroy
A teaming of two of Australia’s leading Indigenous theatre makers, David Milroy (Windmill Baby) and Wesley Enoch (The Sapphires), Waltzing the Wilarra is an original music theatre work featuring an all-star Indigenous cast.
MARCH: Tim Minchin vs The West Australian Symphony Orchestra – Fr1 4 Mar 2011  (Sold Out) – Sat 5 Mar 2011
Comedy rock superstar, Tim Minchin, is back on the road with his biggest live show ever. This show includes brand new songs as well as those much loved Minchin classics, but this time, as you’ve never heard them before – with the 55 piece West Australian Symphony Orchestra.
JUNE: Rising Water25th Jun 2011 – 17th Jul 2011
Black  Swan State Theatre Company
By Tim Winton
Full of the compassion and larrikin humour that are the trademark of Winton’s work, chronicling the lives of outsiders and fringe-dwellers in his unmistakably Western Australian voice
Into the Shimmer Heat
OCTOBER: Into the Shimmer Heat – October 8 – 22, 2011
Nova Ensemble
[youtube=http://www.youtube.com/watch?v=Dc6YZJaamKU]
written and directed by Phil Thomson
DECEMBER: EARTH – December 1-11 2011
Resulting from a year-long process with the finest performing talent under 25 years old in Western Australia, EARTH is a performance that will speak with a contemporary and edgy youth voice. EARTH marks the first in the three year trilogy of originally devised youth theatre ‘Earth, Wind and Fire’

The Silent Opera

13 Dec
by Into the Shimmer Heat, posted in Culture Australia, Dance, Music, Opera, Puppetry   |  No Comments

David Pye, Phil Thomson and Lee Buddle

This from an article in the West Australian newspaper

Time will tell whether making a landmark WA opera about a teenager who can’t sing because she is mute will be a stroke of genius or madness. Perhaps the deaf, dumb and blind kid Tommy, who played a mean pinball in the Who’s 1970s rock opera, or Procne, whose tongue was cut out by her jealous husband in Richard Mills’ The Love of the Nightingale, guided the thinking of composers David Pye and Lee Buddle and librettist Phil Thomson in creating their new chamber opera Into the Shimmer Heat.

Or, perhaps not.

“It really comes out of the story-line,” says Pye of the central character, Nina, who will be played by a dancer. This production, which will have its world premiere in Perth late next year, has been brewing for 16 years. Into the Shimmer Heat has finally been given its chance to bubble into life through a large injection of cash from the State Government’s now-defunct Major Production Fund.

When it opens in the new Heath Ledger Theatre in October next year, 16-year-old Nina, rendered silent and sullen by the grief of her father’s death, will soar with her mother in a hot-air balloon above the heads of the audience. It will be a striking start to an opera about love, loss, life and the struggle of non-indigenous people to come to grips with Australia’s vast landscape.

Flying across the desert, Nina is glued to her iPod as her mother sings of her love for the huge, empty land below. But a storm strikes and her mother plummets to her death, leaving Nina trudging through the desert and hallucinating into existence a camel as her companion. Her mother’s ghost comes across a waterhole inhabited by other spirits.

Nina later arrives at the oasis but it is reserved for those who embraced the land before they died. She is cast out by spirits but rescued by her mother and father, who return her to health and encourage her to leave for good to live out the rest of her life

Nova Ensemble, the fine-music group led by Pye and Buddle, has received $390,000 from the MPF for Into the Shimmer Heat, which involves some of WA’s leading independent performing artists across music, theatre, dance, puppetry and design. Also on board is Opera Australia artistic director Lyndon Terracini in a mentoring role.

The two-year fund concluded last year after dispensing $2.1 million between six projects. They include Marrugeku’s 2009 Burning Daylight national tour, Yirra Yaakin’s Aboriginal musical Waltzing the Willara for the 2011 Perth International Arts Festival and a Thin Ice/WA Opera’s co-production of Richard Strauss’ Elektra in 2012.

Pye says the development and production costs for Into the Simmer Heat will be about $800,000, so half will need to come through sponsors, philanthropists and the box-office during its likely two-week season.

The announcement of the MPF in late 2007 came like drought-breaking rain for Pye, Buddle and Thomson after years of perseverance but diminishing expectations that the opera would be anything more than presented in concert version.

“I think it is an awesome, heaven-sent opportunity to make a bit of a splash and create something on a grander scale because there is the money to do something properly,” Pye says. “The whole concept of putting together a pot of money that the smaller companies can access to realise their vision is extraordinary.”

The project began in 1995 with a chat between Pye and Spare Parts Puppet founder Peter Wilson about the junk opera Shockheaded Peter. “We were just having a discussion about puppet operas generally and the lack thereof,” says Pye, who commissioned Thomson to write the libretto.

A series of music and puppetry workshops followed. “We came to the conclusion that we had a good opera but that singing puppets wasn’t the way to go,” Pye says. “They are very impersonal and tended to make people laugh rather than address the serious emotional message behind the opera.”

What they settled on were some small marionettes to alter the scale of characters walking across a distant sand dune and Philippe Genty-style manipulation of objects such as wicker, sticks and fabric from the wrecked balloon morphing into the hallucinatory camel.

Pye says the opera is intended to ask questions about how outsiders find a place in the ancient Australian landscape. “We all feel very strong that it is very important that non-indigenous people also find a relationship with the landscape . . . because a lot of people feel quite dislocated and many people in the city are afraid to go out into the bush. I think if we are truly going to look after the country we live in, we are going to have to find a way to form a relationship with the land.”

A young WA dancer, who is yet to be named, will play Nina with the other roles taken by soprano Sara Macliver, mezzo-sopranos Xiaojia Zhang and Fiona Campbell and baritone Robert Hofmann. The Nova Ensemble will perform in the pit, from which the spirits will rise up on to the stage aided by designer Alan Murphy, choreographer Danielle Micich and puppeteers Ian Tregonning and Joanne Foley.

“There are spectacular visual scenes, high emotion, love arias, death and so on and so forth,” Pye says. “We tried very deliberately to make it very approachable for the average person. We are not writing for ivory-tower listeners and we are certainly not aiming for just the opera public. We are trying to present a 21st century version of opera which tells stories that are relevant to us today as West Australians.”

‘A lot of people feel quite dislocated and many people in the city are afraid to go out into the bush.’

The Nova Ensemble will hold more workshops in the new Heath Ledger Theatre in December to test technical aspects of the venue.